Death of a Salesman has been owned by White actors–and by White audiences.
André de Shields
The Loman house in this astonishing new production of Death of a Salesman consists of an explosion of isolated windows, doors, and furniture suspended by wires. I’m reminded of Arthur Miller’s original title for the play, The Inside of His Head, as these precarious furnishings, which descend and rise throughout the play, reflect the fractures within Willy’s mind as well as the tenuous state of the Loman family.